With his ongoing interaction with George Lucas and Star Wars, Seth Green and his cronies at “Robot Chicken” have been put in the envious position of both admiring the Star Wars pantheon but also being able to make fun of it. With “Robot Chicken: Star Wars Episode III”, the balance becomes more dynamic with the aspect that while the spoof element are distinctly in play, some more dramatic elements of sorts are being explored. Situated almost as a biopic in reverse with the Emperor in addition to the manic channel change progression thrown in, there is more a narrative progression to the proceedings than ever before.
Beginning with the song “Teenage Wasteland” as Palpatine is being thrown to his death, the episode takes on a vast gamut. The great homages are there. One particularly reverse engineered one is a take off from “A New Hope” where Ben informs Luke after his Aunt and Uncle died that he has a new Sandcrawler. It cuts to the Crawler jumping a chasm just like the Ferrari jumped a hill to John Williams’ music in “Ferris Buellar’s Day Off”. Another that definitely works to this aspect is when Vader gets his suit at the end of Episode III. Instead of becoming melodramatic, it turns into a disco across the Death Star with some new music cues which plays undeniably funny.
Some of the more dry and dark somber comedic tones plays in three separate sets. One involves two Stormtroopers accidently setting fire to Owen & Beru’s place on Tatooine. Luke’s relatives come out engulfed in fire, screaming while the guilty stormtroopers try to sneak away. Another is when Luke is filling up at a space gas station. The person pulling in next to him is the Ice Creature whose arm he cut off during the Hoth Excursion. The use of moving cameras and POV is the most advanced element of technical work yet. It is also very Stephen King-ish in its delivery with some actual emotional connotations. The last segment of note in this pantheon is when a Stormtrooper accidentally kills an Ewok in the forest. When he tries to put the bear out of its misery, he causes it more pain. It turns out all his friends walk in on the violence. Again very interesting dynamic which hopefully translates to the “Star Wars” project Green and Lucas are developing for future production.
At nearly an hour long, the project is undeniably ambitious. The addition of actual Star Wars cast members like Billy Dee Williams and Ahmed Best obviously adds credence in addition to Seth McFarlane (who creates his own odes on “Family Guy”) who voices The Emperor with a bit of Stewie to boot. The third special of Robot Chicken in its ode to “Star Wars” is both interesting and flawed in a great way which makes its intent all the more realized.