The essence of “The Mandalorian” resides in being able to identify in some way shape or form with the journey he or she is on. Whether it is Neo or Luke Skywalker, a character needs something to fight for, even if it is evil in some way. The structure of this episode: “Sanctuary” takes it into a more intimate setting but gives it a sense more of the familial which might be necessary because of its structure. The episode is also directed by Bryce Dallas Howard, daughter of Ron Howard. The episode in many ways feels like “Willow” in its aspect of romanticism but also sense of protection and defense. The episode is not overly dependent on special effects which might have been on purpose since Bryce has not directed much before per se. But what ends up happening is that the episode feels more in the arc of character structure especially what The Mandalorian has lost and gained but what he is willing to give up. The texture of the final moments plays for this with a certain character becoming almost a MacGuffin for the aspect of hope. Ultimately that aspect of trust or protection is brought into imbalance which causes the need for the plot to move forward. However the underlying texture of what path this bounty hunter/myth may be on continues to be murky as the best journeys are.
By Tim Wassberg