The building of “The Mandalorian,” taking into effect expectation but also traversing the character beats, is an interesting quandary. The continuation of what Jon Favreau and crew are trying to create takes into account each director and certain writers capabilities within each episode. In having Taika Waititi direct the final episode of the season, there is a different balance in comparison to earlier episodes. Episode 8 is meant to resolve a lot of the questions of the season. And while it does and gives firmer focus, it does open up the door to more ideas but it gives the coming season a very specific trajectory. What works in this specific episode is the fact that it has more stakes than perhaps was there before.
Without giving too much away, it strives for a sense of meaning within what the characters want and what drives them. Giancarlo Esposito’s character in particular does this well while speaking to a connection to Mandalore lore with the use of a single item. Strategy also plays a significant part. Whether this is in the visual texture of Waititi or just the general bent of the narrative, it closes the loop with much greater agility. The audience gets to see briefly into The Mandalorian’s psyche and a bit of where he comes from. Another interesting dichotomy is that the show continues to show the connection between the film world and the impact of the animated series (specifically “Rebels”) which is directly referenced here. There are many iconic images and perhaps some humor that was a bit too dry earlier in the season that has found its groove here, helped in part by Waititi’s sensibilities. All in all, a very fitting end to the season while both managing expectations but also not overextending its possibilities or production expenditure.
By Tim Wassberg