The paranoia of mystery depends how bathed the characters are in guilt versus survival. With the episode “We’re Not Getting Away With It”, “How To Get Away With Murder” uses the aspect of who is smarter. Granted the aspect of people working behind the scenes has always been a part of the game that is being played. The interesting purveyor here is letting the doubt sow while very smartly highlighting Viola Davis as Annalise only briefly. The aspect of her physical change is undeniably (perhaps she was starring in a movie at the same time) but that idealism shift is supposed to reflect the turning of the screw. Everyone in this series has their intentions but most seem on the level save for someone who skirted the edge of hard core ethics and a student that doesn’t seem in his right mind. The best aspects within the redemption inherent in a series is the notion of sacrifice. However that progression needs to mean something. Everyone, as the dominoes fall and people start to try to see sides, comes down to the element of selfishness with glimmers of both hope and betrayal. The important detail in this episode is how many lines in key moments are not answers, not denials but not admittance either. In the course of rebuilding a crime that they are at the center of, the team interestingly enough is disjointed which is the whole point. It is just a matter of what Annalise ultimately actually wants to do.
By Tim Wassberg