The integration of global cinema is finding the right balance that appeals to all corners while still remaining edgy. For most places, this involves moving towards the center and not necessarily to the darker elements. Director Peter Berg seems in his movies with Mark Wahlberg (who also produces) to find that interesting mix between personal story, political underpinings and essential practical action. Their previous collaboration: “Patriot’s Day” was more specifically encompassed with a certain idea of an American style response within the Boston Massacre in a town that is very close to Wahlberg’s heart. But like Berg’s “The Kingdom”, what their latest “Mile 22” does is push the idea of the edge of the zone while still embracing new ideas. While Wahlberg is the marquee star here, it is the breakneck pace of the film which allows not just him but the other actors, especially Iko Uwais, the star of the breakout Indonesian action film “The Raid” to shine. The fact that this film can operate on that level as well as the film Wahlberg is trying to make is admirable. Some of the facts get muddled since the script is somewhat scitzophrenic and trying to move too fast but the action is just as frenetic and almost overtakes what Berg is trying to do. At its core, “Mile 22” is a stopwatch action film; point A to point B involving the need to deliver an asset. However using different places and streets to its advantage is key. As shown in the bonus features (and in its initial release) part of the big street scenes were shot in Bogota, Colombia. Having been to the city for a wedding, there is so much possibility to its back and main streets (although it is set to mirror at Southeastern Asian fictional city). Bogota is used to a point but also as a angle to bring more film production despite the country having a somewhat checkered tourism past from decade to decade. The stunts are interesting but most of the material on the Blu Ray was originally created as publicity material for the original release so no new material is here though what is included should be fodder for any regular cinema collector. Another stand out is Lauren Cowan, who brings to mind a 2018 version of Bridget Moynahan (who starred with Al Pacino and Colin Farrell in “The Recruit” in the early 2000s). This reviewer has not experienced her screen presence as Maggie in “The Walking Dead” but her steel here hopefully bodes for more focal elements on the big screen as well. “Mile 22” is an expert exercise by two filmmakers wanting to push the boundaries but also understanding the need for entertainment, however hard nosed, within the audience.
By Tim Wassberg