Creating characters with a sense of self and putting them in a mileau which puts the notion of identity to the test is the landmark of any great new series because personas need room to grow or else they are of no consequence to the audience. Whether it be secret computers, new roommates or traveling 85 million years in the past, if the mystery and energy is not there, no narrative can save a misguided concept.
Person Of Interest Melding ideas of “Big Brother” with a vigilante intention has different angles to pursue but only with the plot device to push it forward. A supercomputer which configures possible motives insinuates the plot. With exceptional actors like Jim Caviezel and Michael Emerson [of “Lost”] there is always interesting character work but the line that the creators want to create between reality and high drama is short lived. The comparison can be made to “Life On Mars” which, while still trying to be grounded and slick, varied because of a sliver of disbelief that creeps into the progression (much like “Unforgettable”]. Uncovering a secret past in the gist of Caviezel’s soldier character keeps the intrigue going but the mythology of Emerson’s eccentric billionaire needs to be expanded because without the mystery and stakes, the series feels simply like another procedural with a couple new neat toys.
The New Girl Throwing a girl (and a weird one at that) into the mix always makes for interesting television if the actress can sell it. Spinning a reverse “Three’s Company” in an age of cynical relationships and quick bedding with a sense of innocence though is not an easy sell. Zooey Deschanel has the ability to play out the backstory of eccentric and uncool while still being cute and likeable (which is helped by her friend in the series who happens to be a hot model). The key is watching her extrapolate the indiosyncracies of the men without losing her own identity which she does by forming a relationship with a similarly weird violin player. The series works in its quirky way because of its relatability whether being at a wedding or picking up stuff from an ex’s house. Add to this essence a killer music supervisor who can mix nostalgia with a sense of new and that gives this show a consistent spin.
The Secret Circle Making a witch’s haven comparable to the “Buffy” universe is always a difficult persistance especially if humor cannot play as much of a placement in your arsenal. The idea of high school witches unable to Cope with an onslaught of demons threatening their town feels like an ode to “Witches Of Eastwick” more than anything else without the comedy. The angle here is to key it into CW’s young demographic and make it slick while also vivid enough to appeal across the board. While the soap essence overwhelms the show at times, the characters are aware enough to make their dire circumstance personal to the audience depending on the interrelation of what the characters actually want to accomplish.
Terra Nova The big wait is over in terms of this highly anticipated series that has been watched for like the second coming of “Lost”. The problem is that no series can live up to that type of scrutiny. Granted the pilot is impressive but it is necessary to sell the world. It is not so much the element of the dinosaurs and the prehistoric period that the money was spent on as it is the future world coming to ruin. One can tell that the latter angle took most of the special effects budget there but as the series progresses into subsequent episodes, it becomes truly “Swiss Family Robinson” with some high tech gadgets. While the family is interesting, it doesn’t carry the cool attitude or simple energy of say the family from “Lost In Space”. The addition of Stephen Lang as the commander of the post keeps the tension running as an ongoing feud between him and a rebelling faction keeps the ammo firing as does various prehistoric creatures. However, the immersion factors feels both authentic and yet fake at the same time despite the modern family take.
Indie PR just provided IR with this view of “Flying Lessons” starring Maggie Grace (“Taken”), Hal Halbrook (“Into The Wild”) and Cary Elwes (“Saw”) which is the opening night film at the 2010 Santa Barbara Film Festival which begins February 4th.