Produced & Interviewed By Tim Wassberg
Human fallacy and the thematic machinations of animation rarely move hand-in-hand except in the process sometimes of summer. Affecting a change in structure especially within drama and comedy is tricky, especially if one is not sure about the outcome. Staying with the norm only can work so far before the entire concept has to be thrown on its head, not in terms of tone but in the breaking point of the characters and what they consider as normal.
Penguins Of Madagascar The leftovers continue with their intensive functionality despite a bit of overactive silliness. The episodes are not as much spy-oriented as they are situational with the exception of the mythology-based Uncle Nigel episode though that ends with the emasculation of Private. The best revolves around Rico when the other three compadres end up stricken by herring food poisoning. The pacing becomes more reminiscent of a “Tom & Jerry” cartoon while an episode with King Julian being moved to the petting zoo for a bit is nothing if not funny as the lemur provides the inherent balance of the show which still has a fresh functionality.
Burn Notice Heading into the summer, just as Michael Weston was about to insure himself within the FBI, his handler in Max turns up dead. In between maintaining different possibilities for his friends and dealing with everything from militia to Serbian smugglers, the trails keep leading in and out from who he thinks actually is trying to subvert his reintegration into the CIA despite the fact that the “company”, especially his new contact Agent Pearce, thinks his crew is a detriment to him. The notion of reveal, especially in Michael’s misguided focus and perception, threatens to undo everything this burnt spy has worked towards. While last season seems to indicate a lack of vindication on the burn notice, its possibility and the double-cross element here rises the story structure back to its necessary level to keep the series both critical and entertaining.
Futurama Finding new and interesting ways to interact the space-time continuum is timeless for these characters. Ever since returning, they have 10 years of odd technology and pop culture to catch up on. Unlike something like “The SImpsons” plus with the allure of basic cable, the series can go as far as it wants to but smartly keeps in touch with its core audience of smart but still dumb. The aspect of the Fry/Leela relationship is placed in a contextual space which allows it to grow but, as usual and to great avail, whether it be increasing his processing power to become godlike to cloning himself and drinking all the alcohol on Earth, Bender is still the man, or clunker (as he would enjoy).
In Plain Sight In approaching a life such as those of Marshalls, especially one as cantankerous as Mary, going from 0 to 100 might be a way of life. However in dealing with Mary McCormack’s real life pregnancy, the writers were thrown a curveball. Granted it gives more humor and a distinct push out to the female audience members but it also creates an interesting dichotomy which permeates through different episodes. Someone like Mary would look at all the options but she seems to just let it go like she did the moment of passion she had with the would-be father. While this might be explained later, it creates a paradox of character which in general changes the complete direction of the show. Whether it is for good or bad is simply in reflection more so of the ratings but from a character point of view, its possibility limits the options available.