IR TV Review: STAR TREK – SHORT TREKS (“The Trouble With Edward”) [CBS All Access]

The texture of “Short Treks” in the Star Trek Universe allows for those short vignettes that allow us to see perceptions into more of the lives of perhaps those that have continued on in the night. The first of this new season: “Q&A” examined Spock’s first day as an ensign on Captain Pike’s Enterprise. With the second entry: “The Trouble With Edward” we are treated to the genesis of what caused the Tribbles to become what they did. In its treatment of this lore, it is half human error and half problem solving gone wrong. Pike’s head science officer (played in a nice homage by Alita’s Rosa Salazar) is given the captain’s spot on her own science ship which has to deal with a famine/starvation situation on a planet on the edge of Klingon space.

Everything seems to go wrong mostly because of the crewman who creates the Tribble trouble in the first place because of his stubbornness, ego and slight lack of talent. Archer voice H. Jon Benjamin is a perfect foil in this way since he doesn’t mind playing the depreciation because it works as a form of satire. Salazar is good but she can be much more fluid an actress in a different situation than this small journey allows but it is great to see her being given the opportunity overall. Ultimately, “The Trouble With Edward” is a nice little tome within the pantheon and definitely brings to bear the reproducing situation of these animals, especially when it is a funneled as a food source. As usual, the human condition creates the problem against its best wishes. Plus it is good to see flaws since not every crewman is perfect. The added bonus after the credits also shows the humor that sometimes is not allowed to shine through in such a specific way on an episodic show per se.

B

By Tim Wassberg

IR TV Review: “Perpetual Infinity” (STAR TREK – DISCOVERY) [CBS All Access-S2]

The aspect of loyalty is a concept that unbalances itself many times with “Star Trek: Discovery”. The idea of trust and the greater good can be mired by thoughts and perceptions of selfishness and the intricate values of altruism. In ”Perpetual Infinity”, the idea of what is for the greater good and what simply necessitates survival is what is the key in capturing The Red Angel. Without revealing any plot points, the texture of who we pretend to be always reveals itself in essence who we truly are. Michael Burnham hides her emotions to protect herself from the loss of her mother. Spock hides his emotions because of emotional pain Michael inflicted on him as a child. While the mythic is not as much in play here as the previous episode, the aspect of loss of choice and the resulting idea of consequence takes over the episode in many ways. The fluid dynamics of time have to figure in with what is happening. But the stubborn aspect of Michael’s bloodline in the feeling that every problem can be fixed is undeniable. But as Spock references two aspects of literature in the episode including one to Macbeth, the proof is in between the lines. The texture of tragedy is only a short time away. The future is fluid and is always changing but every possible outcome has a foreboding nature, as evidenced in Christopher Pike, possibly Michael and eventually and most heartbreakingly Spock. It is just in what lays ahead…come what may.

By Tim Wassberg

IR TV Review: “If Memory Serves” (STAR TREK: DISCOVERY) [CBS All Access – S2]

The aspect of canon has always been a thistle in a way in the side of the “Discovery”. While striving to make something original, this franchise like Star Wars can be helped and hindered. But in its best it transcends. “If Memory Serves” is the best episode of the series by far because it found that balance. In bringing in old TOS lore, and staying fairly close without breaking it, it necessitates what might be in store. The aspect of Michael and Spock is so dynamic because it shows the incessant humanity while completely lost in logic. When he finally begins speaking, it makes a lot of what we have seen past and present integrated. It also very much speaks to perhaps a bigger structural basis between the Kelvin & Prime Universes which undoubtedly is spacing through the writers’ room. That said, despite any of the mechanics, “If Memory Serves” is a dynamic emotional episodes that contains the best perspective of Star Trek episodes in that they make you think, reflect but also emote. While Michael and Spock carry the basis of the episode, it is the balance and intent of Anson Mount as Christopher Pike and his connection that allows for the bridge between two worlds, as Mount alluded to IR at our interview at TCA, without him giving a thing away. Bravo.

By Tim Wassberg

IR TV Review: “Light And Shadows” (STAR TREK: DISCOVERY) [CBS All Access – S2]

The essence of “Light And Shadows” reflects in the ideas of who we are and who we are to be perceived to be. In the most recent episode, Doug Jones’ Saru discovered that his instincts were really part of an awakening which allowed him to come to his unseen potential. The inference comes to a head as he is drawn back home to face demons, literally and metaphorically that have changed the idea of what it means to exist. This balances in Michael Burnham’s continuing search for Spock and the reasoning of this point. We finally see the first glimpses of Ethan Peck as Spock but what is really interesting is the diametric of the family as Michael herself returns home and like Saru must understand the difference between knowing her path and walking the path. The Red Angel continues to be a presiding influence but in true serialized storytelling structure it is starting to take on a different meaning in terms of its resonance. Connection is a big driving force but tolerance and understanding even more so despite differing socio, political, even world views. The ideal that ends the episodes again points to another piece in the puzzle which slowly but surely continues to unfold while telling very universal stories which “Star Trek” has always been known for.

By Tim Wassberg

IR TV Review: “The Sound Of Thunder” (STAR TREK: DISCOVERY) [CBS All Access – S2]

The essence of identity continues within the structure of “Star Trek: Discovery”. In ”The Sound Of Thunder”, the texture of the Red Angel is continued by a series of perceptions of changed definition. Saru is the focus and the return to his home planet after a transformation of sorts. While not as powerful as the previous episode simply because the stakes are different, this perspective shows, without giving anything away that rising awareness can affect change but also change the nature of who we are. This is true not just of Saru but of a recently returned crew mate. What is interesting in this continuing thread is what expectations create. Parallel structure definitely affects Michael Burnham in many ways and in certain perspectives, some of the canonized material seen sometimes can also run parallel to “The Next Generation”. As the narrative continues to unfold, the essence of the story is connected but while still making each episode, this one more than the last, able to have a essential life force of its own without sacrificing the serialized nature of the proceedings.

By Tim Wassberg

IR TV Review: “Saints Of Imperfection” (STAR TREK: DISCOVERY) [CBS All Access – S2]

The building of path interrelates to a spirit of trust. The series so far this season has been building on the basis of faith, or perhaps in a more esoteric way, trust. The mythic overtones whether in intimate relationships or in large scale pursuit paths define much of what is happening to the crew. The search for Spock is no uncertain terms is one of redemption for multiple characters, not just Michael Burnham. This episode interrelates a certain idea of the spore drive and its unintentional side effects. Tilly plays a big part in this and Mary Wiseman’s portrayal is starting to play a big deeper, which is of undeniable strength. Some characters intersect and go in and out of the story so perhaps there is too many working parts. But in league with some of the insights on faith and science that Sonequa spoke about in the character, the path becomes both more clear and more puzzling, especially when a certain type of radiation is detected towards the end of the episode. The key in this review is not to reveal any more of the plot points then needed. But ultimately the idea comes down to the path we choose. Now granted some of the dialogue can border on the melodramatic when it might need to be at times, more cutting. But in serving the story, especially with these amounts of special effects for a weekly show, the line needs to be walked. But in an unique way with the slow motion codas at the beginning and end, the tale of Discovery continues to be shaped in small bits.

By Tim Wassberg

IR Exclusive Print Interview: Anson Mount For “Star Trek – Discovery” [CBS All Access – S2 – CBS TCA Winter Press Tour 2019]

Stepping into the shoes of “Captain” is not an easy job, especially when the names that have come before as Kirk, Picard and Janeway, especially for a fan who has watched the original show. After conducting a panel with his fellow actors at the CBS All Access TCA Press Day for the new season of “Star Trek – Discovery”, Anson Mount, aka Captain Christopher Pike, spoke exclusively with The Inside Reel about process, texture of character and the sometimes trickiness of canon.

Could you talk a little bit about finding Pike physically? And then mentally, on that note?

Anson Mount: Well, the physical demands is to keep those uniforms fitting (laughing). Not fun for a 45-year-old man. Combined with amazing catering…it’s like torture. (laughing) I loved how Chris Pine sort of perfectly mimics the way that Kirk crossed the bridge and sat on the chair. I wanted to see if I could do it as well as him (laughing) even though it’s a different character, I didn’t really care.

Is that the essence of confidence? Or is it bringing out certain elements of that?

AM: No. It was just an outside-in way of getting comfortable in the captain’s chair because Pike and Kirk are very, very different captains. Kirk leads from the gut. Pike leads from the Star Fleet code of conduct, you know? Very, very different characters.

When you get an established character, can you in a certain way wipe it clean and then writing your own version?

AM: No. It’s a matter of having the first act and the third act, but no second act. You’re being asked to step in and fill out the second act. And first-act Pike and third-act Pike are different Pikes. They say that we literally regenerate every cell in our body every 7 years, so we’re literally different people. So I didn’t really feel constrained at all. I felt the freedom to make Pike my version of Pike.

Kirk always almost had, I think, a jealousy of Pike because of how much Spock loved him. You saw that in “The Cage” (and by extension the TOS episode “The Menagerie”). You being very familiar with canon….there’s so much probably that Pike does not say that we’ll see later in the season. Could you talk about that white space?

AM: About the relationship with Spock?

Yes.

AM: It was really a matter of feeling it out as the writers figured it out. Really, I got lucky to be handed an actor as incredible as Ethan Peck (as Spock). That guy right there is going to be a big, fat movie star. He’s got it all. Wait until you see him. And he’s a really, really, really good actor. We kind of also took some of the cues from our own friendship that we gained on set. He’s such a lovely guy and, sort of, getting his feet wet in this world for the first time. He was sort of leaning on me perhaps for a few answers to some of the questions that plague us as younger actors.

What questions? About fame? Or walking into this universe?

AM: Just, in general, am I screwing this up? Or just nervous stuff. Because it’s not going to help you. He’d [also] never done TCA before so I was like, “We’re working.” It’s like watching a NFL game from the pressbox. (laughing) Just know that.

But it is daunting kind of walking into this universe, given its history and the fandom for it.

AM: If I sit around and think about it. Yah. Thankfully this role came to me late enough that I’ve learned that when I find myself daunted, it means I’m usually not doing my homework. And I need to put down the mirror and, you know, the internet, and all the bullshit that surrounds what we do. And get to work. Because it just doesn’t help you.

Is it easy to get caught up in though? Because no one is immune to the aspect of expectation…

AM: A little bit. I mean look. We all have a media machine in our pocket. So it’s hard to miss. Your friends are texting you things. You can’t avoid it. But you get better at just filtering it and putting it aside.

Right. But before that happened, what was your impression because you’re such a fan of Star Trek… just stepping in.

AM: Oh my god, it was completely surreal. I mean the first time, I sat in the chair I got quite emotional. And then every day on set – literally every day there’s a moment that you look around and you go, “Wow. I’m in Star Trek. Me. I. Me. I’m the Star Trek. I’m in the captain’s chair. I’m the captain. How did that happen?” Like, I was doing this for free as a kid and now they want to pay me.

I know. I heard a little bit of Shatner right there.

AM: Yeah right.

What was your favorite episode then. You said you grew up with the Kirk. What was your favorite episode?

AM: I always– I can’t remember the title of it, but it’s the episod where he battled the Gorn.

Arena”

AM: I can not turn that episode off when it’s on. I have to see the slow-motion fight choreography. And the double ax handle from the back of the neck.

Did you want to find a bit of that logic and physicality in Pike?

AM: What I like about Pike is that he’s egoless. He knows that when his bridge crew is working together, [that]is a bigger brain than he will ever have. And that’s what he does– and you’ve seen it already…he’s very good about saying, “I’m lost. Anybody got a better idea?” And he does that throughout the season. I think it makes for great television.

Can you speak to the emotional challenges that he’ll go through?

AM: He goes through some major emotional challenges in this season. I can’t talk about any of them. (laughing) But, you know, I was challenged as an actor on this job as much as I’ve ever been challenged.

The one thing I liked about –obviously we had only seen a couple episodes so far — is the aspect that there’s a feeling a little bit more of the old Star Trek. They’re going and doing problem-solving on our planet. The second episode does that. Could you talk about looking at these scripts and seeing this kind of elements of the character come out?

AM: It’s funny establishing a character on television. You have to be very very very careful about the footprints you’re putting down. Because they’re going to be there forever. They’re going in cement. And particularly with a character that’s as celebrated as this one has been in the past. But you have to remember that it’s not all in your hands. The writers are trying to figure it out at the same time. And so as long as you have a good communication with your writers and he’s [pointing to Alex Kurtzman] an incredible leader, then you’re probably going to be okay. And it was great to learn about this man, this character I’ve come to respect, even more. You’re playing him as we continue through the season. There were moments I was surprised. “So yeah okay. I’ll go with that.'”

Does it make it harder because you know all the intricacies of Star Trek? I mean, you were talking how your favorite character is Data. I’d love for you to talk a little bit more about that.

AM: Say again.

Well, it’s a two-part question. Why did you love Data as a character so much? And how come that appealed to you? You were talking about him, this is your favorite character.

AM: I’m actually jealous that another actor got to play that role. I mean — I can’t think of a better role than a machine trying to figure out what it means to have true sentience. It’s just a wonderful, wonderful, wonderful character. And Brent Spiner did such an amazing job.

My question is also the aspects of canon. When you read the script, you’re probably like, “I see that. I see that. I see that. I see that.” Can you talk about the joy of that? Reading the scripts as a fan and getting to play them.

AM: In terms of my character?

Overall.

AM: Overall…I mean there’s some things that I honestly I didn’t know. I mean there some really esoteric stuff and easter eggs in our show. Like the Saurians. I didn’t know the Saurians had been established in “Wrath of Khan” for like a second. Okay. That was cool. But yeah we will be referencing canon associate with Pike. But probably not in the way that most are imagining it. I’ll leave you with that.

By Tim Wassberg